Failspace

Fail space is a project space that aims to initiate a critical discourse and presentation of contemporary craft and labour intensive art through a series of experimental and participatory exhibitions.
“I DON’T KNOW WHERE I’M GOING, BUT I’M GOING SOMEWHERE…”A solo exhibition by Thomas C. Chung“I Don’t Know Where I’m Going, But I’m Going Somewhere…” is an art installation, that deals with sensation, simulation and a current interpretation of that age-old condition ‘Loneliness’.Moving away from the existentialist tendencies that cyberspace represents, and backwards to our primary sources of communication, touch, taste, smell, sound and sight, the artist’s work aims at highlighting the sensory by denying access to it. Creating spaces of fantasies through referencing childhood, play and games, the work shines a light upon private isolated experiences - in this case, from that of a child.Crocheting sculptures of food that you cannot taste, and creating landscapes of imaginary tea parties to set the scene, the art installation deals with the idea of memories, and that the associated needs that we have with them, are essential in learning about who we really are as individuals.Food as escapism is often used in his practice as a form of dealing with the feelings one might want to suppress, especially when one is still a child. Dreams, indulgence and imagination are key aspects to the stories behind their creations.Chung’s work weaves difficult issues about the world into the forms of toys, stories and lost memories - giving the viewer a detached, simulated experience.Born in Hong Kong in 1981, Thomas C. Chung is an Australian artist based in Sydney and Scandinavia. In 2004, Chung completed his BFA at the College of Fine Arts at the University of New South Wales. For the past 6 years, he has received various artist-in-residency opportunities, travelling to New London (USA), Gothenburg (Sweden), Kemijärvi (Finland), and most recently Drammen (Norway). Since 2008, Chung has exhibited in 6 solo exhibitions and has shown in 2011 at the Lands Museum (Norway) and Kherson Local Lore Museum (Ukraine). Chung is currently represented by Galleri Athene (Norway) and Galerie Tante Netty (Netherlands).

“I DON’T KNOW WHERE I’M GOING, BUT I’M GOING SOMEWHERE…”

A solo exhibition by Thomas C. Chung

“I Don’t Know Where I’m Going, But I’m Going Somewhere…” is an art installation, that deals with sensation, simulation and a current interpretation of that age-old condition ‘Loneliness’.

Moving away from the existentialist tendencies that cyberspace represents, and backwards to our primary sources of communication, touch, taste, smell, sound and sight, the artist’s work aims at highlighting the sensory by denying access to it. Creating spaces of fantasies through referencing childhood, play and games, the work shines a light upon private isolated experiences - in this case, from that of a child.

Crocheting sculptures of food that you cannot taste, and creating landscapes of imaginary tea parties to set the scene, the art installation deals with the idea of memories, and that the associated needs that we have with them, are essential in learning about who we really are as individuals.

Food as escapism is often used in his practice as a form of dealing with the feelings one might want to suppress, especially when one is still a child. Dreams, indulgence and imagination are key aspects to the stories behind their creations.

Chung’s work weaves difficult issues about the world into the forms of toys, stories and lost memories - giving the viewer a detached, simulated experience.


Born in Hong Kong in 1981, Thomas C. Chung is an Australian artist based in Sydney and Scandinavia. 
In 2004, Chung completed his BFA at the College of Fine Arts at the University of New South Wales. For the past 6 years, he has received various artist-in-residency opportunities, travelling to New London (USA), Gothenburg (Sweden), Kemijärvi (Finland), and most recently Drammen (Norway). Since 2008, Chung has exhibited in 6 solo exhibitions and has shown in 2011 at the Lands Museum (Norway) and Kherson Local Lore Museum (Ukraine). 
Chung is currently represented by Galleri Athene (Norway) and Galerie Tante Netty (Netherlands).

Failspace presents
Lagniappe II: Knockout Artists (transference)
Solo exhibition by michelle mantsio
Curated by Iris SiYi Shen

281 Clarence Street, Sydney CBD, NSW 2000
Exhibition Opens Thursday 12th January 2012 6-8pm
Exhibition runs from Thursday 12th January - Monday 23rd January 2012


Michelle Mantsio’s art practice is cross media, which includes installation, drawing, painting, performance and video. Michelle is a practising artist, who has exhibited nationally and internationally and participated in various international workshops, think tanks, symposiums and conferences such as Sense Lab, Metronome and Documenta. In 2010 and 2008, Michelle studied at Goldsmiths College on research residencies as part of her PhD. Her PhD is an exploration of pattern and repetition as a tracking of the body, which is being explored through contemporary art practice.

Lagniappe II: Knockout Artists (transference) is a video installation exhibition based between i) the story of a novel- The Knockout Artist, where a boxer knocks himself out and ii) the artist’s experience in trying to knock out a boxer (Osmond) she trained with. The boxer tries to ease her discomfort with his story and so initially a blush passes through the artist, which is then transferred from him to her as his lagniappe is in addressing the unspoken issue of violence. 

Failspace is a guest curator project space at Gaffa Gallery that aims to initiate a critical discourse and presentation of Contemporary craft and labour intensive art through a series of experimental and participatory exhibitions.



For further information:
http://www.gaffa.com.au
 
Follow failspace on:
@failspace
Failspace Facebook
http://failspace.tumblr.com

Media Contact:
Failspace Director Iris SiYi Shen
0432 017 050
failspaceproject@gmail.com

Failspace presents

Lagniappe II: Knockout Artists (transference)

Solo exhibition by michelle mantsio

Curated by Iris SiYi Shen


281 Clarence Street, Sydney CBD, NSW 2000

Exhibition Opens Thursday 12th January 2012 6-8pm

Exhibition runs from Thursday 12th January - Monday 23rd January 2012

Michelle Mantsio’s art practice is cross media, which includes installation, drawing, painting, performance and video. Michelle is a practising artist, who has exhibited nationally and internationally and participated in various international workshops, think tanks, symposiums and conferences such as Sense Lab, Metronome and Documenta. In 2010 and 2008, Michelle studied at Goldsmiths College on research residencies as part of her PhD. Her PhD is an exploration of pattern and repetition as a tracking of the body, which is being explored through contemporary art practice.

Lagniappe II: Knockout Artists (transference) is a video installation exhibition based between i) the story of a novel- The Knockout Artist, where a boxer knocks himself out and ii) the artist’s experience in trying to knock out a boxer (Osmond) she trained with. The boxer tries to ease her discomfort with his story and so initially a blush passes through the artist, which is then transferred from him to her as his lagniappe is in addressing the unspoken issue of violence. 

Failspace is a guest curator project space at Gaffa Gallery that aims to initiate a critical discourse and presentation of Contemporary craft and labour intensive art through a series of experimental and participatory exhibitions.

For further information:

http://www.gaffa.com.au


 

Follow failspace on:

@failspace

Failspace Facebook

http://failspace.tumblr.com

Media Contact:

Failspace Director Iris SiYi Shen

0432 017 050

failspaceproject@gmail.com

Email your awesome portfolio to Failspace project for exhibition opportunity

Expressions of interest sought for exhibition proposals for Fail Space, a guest curator space at GAFFA Gallery to open in early 2012.

Fail space is a project space that aims to initiate a critical discourse and presentation of contemporary craft and labour intensive art through a series of experimental and participatory exhibitions.

Artists from around Sydney are invited to respond to this curatorial concept. Proposal may be based on your practice but it must have some experimental and/or participatory elements that engage with audiences such as film, performance, relational art, artist demonstration ect. There is a fee to the place of $330 per week GST inclusive for a two-week show. It will include media release, opening and gallery minding ect. It is an excellent space for solo show.


All proposals will be considered.

To enquire about curatorial theme or consultation, please contact Iris on failspaceproject@gmail.com